Earlier today I was out taking pictures at Union Station with Jason Odell, and his Mile High Cityscapes class and ran across this piece of art.
A few weeks ago I took a tour of artwork that the city has commissioned and Brandon mentioned that they had installed a piece of artwork at Union Station. If you’re looking for it, it’s a bit out the way, since I was installed on the bridge from Union Station in front of the stairs leading down to the platform. Brandon said on our tour that 1% of the funds for civic improvement projects go to public art. This piece was by Christian Moeller, and called Lola. It depicts both the imagery of person waving goodbye to someone on the train, and a swiss railway clock.
I made it back to the alluvial fan in Rocky Mountain National Park a few weeks ago. The fact that the National Park Service had declared it a free weekend to commemorate the 100 year anniversary of the park service made it much more popular than when I was there last.
I had to wait until it started raining before everyone cleared out of the scene.
Here I was studying how a long lens compresses the scene. Here I was using my 70-200 at 200 mm. Years ago I had used my 24-70 and the fan looks more dynamic here. I also kept in mind something that Efrain Cruz mentioned to me, that you don’t want the water to go completely white, you want a variety there.
Last night I went with the Metro Denver Digital Photography Learning group to do some macro work. I ended up using a technique that Tony Sweet was teaching in his Fine Art Floral Photography Course from BetterPhoto. Note: I don’t think the course is offered anymore.
Here, I was experimenting with combining multiple shots into one. In the Nikon D810, you can combine multiple shots into one raw image. You could do this in photoshop, but it’s easier to do in the camera. The nice thing is that with the auto gain option it makes it easier to adjust, or in this case not adjust.
I don’t think I would call this journalism, but this is what it looked like out of the camera. However if you shoot in raw, you have to post process your photos.
And for the folks who want to know the particulars of this image. I used my 70-200 at about 200 mm about as close I could get.
If you want to know more about the technique, Kathleen Clemons teaches it in her “Creating Painterly Photographs” class on Creative Live.